SDSide Door JournalAn entrance. A sense of place.

Doors, materials and architectural details

A thoughtful entrance.
A welcoming home.

Thirty selected articles from the existing journal, exploring proportion, colour, finishes, glazing and the whole entrance.

Start here · Form and proportion

Look at the whole home.
Start with proportion.

Modern does not have to mean cold. Start with proportion, then decide which details deserve attention.

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A fictional modern entryway with a warm timber door and soft daylight.
A blank notebook, abstract door sketches and wood samples; a fictional editorial illustration.

Architecture and setting

The townhouse door as a vertical composition

A fictional modern entryway with a warm timber door and soft daylight.

Materials and finishes

Warm neutrals for an entrance that is not beige by default

Form and proportion

5 articles

Form and proportion

A quieter kind of modern front door

Modern does not have to mean cold. Start with proportion, then decide which details deserve attention.

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Form and proportion

Choosing an entry door for a midcentury ranch

A low roofline asks for a different entrance than a tall, formal facade.

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Form and proportion

The Craftsman entrance: detail with a purpose

A convincing Craftsman doorway relies on rhythm and scale, not a checklist of decorative parts.

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Form and proportion

A fresh front door for a traditional brick house

Updating a familiar facade is often a question of editing rather than starting over.

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Form and proportion

Coastal style without the beach-house clichés

Light, shelter and a restrained palette can suggest the coast without a nautical prop in sight.

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Architecture and setting

5 articles

Architecture and setting

The townhouse door as a vertical composition

On a narrow facade, small changes to the entrance can have an unusually large effect.

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Architecture and setting

Modern farmhouse, with fewer borrowed details

A front door can complement a farmhouse-inspired home without turning into another decorative motif.

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Architecture and setting

An entrance for a desert-modern home

In a spare landscape, shadow can be as important as the finish on the door.

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Architecture and setting

Bridging old and new with a transitional door

When the house contains several architectural eras, the front door can act as a mediator.

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Architecture and setting

What an arched opening asks of a new door

The curve may belong to the wall, the frame or the door itself. Those are different design problems.

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Colour and contrast

5 articles

Colour and contrast

Black front doors: getting the contrast right

Black is a strong choice, but the surrounding surfaces decide whether it feels elegant or heavy.

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Colour and contrast

Why a white entry door is not always the quiet option

White can blend into a facade or become its brightest accent. The undertone makes the difference.

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Colour and contrast

Wood-look finishes without pretending every material is wood

A warm grain can be a design choice in its own right, provided the product description stays honest.

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Colour and contrast

Green doors that belong to the landscape

The most convincing green is often found just outside the sample book.

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Colour and contrast

A blue front door with grown-up confidence

Think about depth and undertone before deciding how bold you want to be.

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Materials and finishes

5 articles

Materials and finishes

Warm neutrals for an entrance that is not beige by default

A neutral door can have character when its relationship to the wall is carefully chosen.

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Materials and finishes

Matching a front door to red brick without matching the brick

Mortar, shadow and variation offer better clues than a single red paint chip.

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Materials and finishes

Matte, satin or gloss: the finish is part of the design

Sheen changes how a door catches light, reveals detail and relates to its surroundings.

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Materials and finishes

Mixing metal finishes at the front door

Coordination is useful. Perfect sameness is optional.

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Materials and finishes

A two-tone entry door: different outside, different inside

The street and the hallway do not always need the same color.

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Glass and privacy

5 articles

Glass and privacy

Privacy glass after sunset: the test that matters

A beautiful glass sample in daylight tells only half the story.

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Glass and privacy

The small glass insert that changes a solid door

A little daylight can shift the character of an entire entrance.

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Glass and privacy

One sidelight or two? Designing the whole opening

Symmetry is only one way to make an entrance feel balanced.

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Glass and privacy

A transom window and the art of borrowing light

Sometimes the best place for extra glazing is above the door.

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Glass and privacy

Reeded glass: texture without visual clutter

Linear glass works best when the rest of the entrance gives it room.

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Light and the opening

5 articles

Light and the opening

Long pull handles: proportion before drama

An oversized handle needs a reason beyond looking impressive in a close-up.

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Light and the opening

House numbers that belong to the entrance

Small lettering can organize the facade—or quietly disappear when it is needed.

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Light and the opening

Pivot-door inspiration, with room for reality

The impressive photograph is only the beginning of the conversation.

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Light and the opening

Flush panels and the importance of the surrounding frame

The simpler the door, the more visible every junction becomes.

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Light and the opening

A closer look at the 2026 Shaker-and-glass direction

New product introductions offer ideas, not a rulebook for your house.

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A considered approach.

Thirty existing editorial articles with their original addresses and photograph credits retained. Generated cover illustrations are fictional; product details remain in the existing collection.